Daily Archives: April 21, 2015

Chicago Shorts: Volume 1 Premiere

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Facets

1517 W Fullerton

Saturday, April 25 – 3 pm – Opening Reception
Saturday, April 25 – 4:30 pm – Screening + Q&A
Sunday, April 26 – 7 pm – Screening + Q&A
Monday, April 27 – 7 pm – Screening + Q&A

CHICAGOLAND SHORTS is a new short film series from Full Spectrum Features that highlights the incredible diversity of The Windy City and its surrounding communities. The series celebrates the vastness of the Chicagoland experience, and provides an outlet for those cinematic voices that sometimes go unheard.

Chicagoland Shorts: Volume 1 was co-curated by Eugene Sun Park & Kayla Ginsburg of Full Spectrum Features and Beckie Stocchetti of Kartemquin Films. This collection includes films by:

Robert Carnilius
Lydia Fu
Fred Frederiksen
Amir George
Dylan Jones
Ryan Logan
Fawzia Mirza
Valia O’Donnell
Michael Paulucci
Eugene Sun Park
Amanda Taves

Tickets available for sale at the door, or through Full Spectrum Features website http://fullspectrumfeatures.com/store/

Find out more about the collection at http://fullspectrumfeatures.com/chicagoshorts/

Tonight! FOLLOW YOUR PASSION: How To Do That

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FOLLOW YOUR PASSION: How To Do That

1-year anniversary of ABOUT WOMEN.

FREE ENTRY! PLUS CAKE AND BALLOONS! You do not want to miss this one!

LADIES – Please join us for an evening of Presentation, Conversation, and Inspiration.

Come on out and listen to 5 women share their personal story about how they are following their passion. A conversation will follow. Tell us your story.

Join us for the discussion. Or sit back and listen – that’s ok too.

This is a safe space to hear different sides of the story. Please come out and support these brave women telling their sides of things. This is a judgment-free zone.

FREE STICKERS PROVIDED!

Upstairs of Pizzeria Serio
Food and drinks available for purchase.

Once you come to one event, you can then get up and tell your story at future events based on the topic. Oh yeah! Sounds like a plan!

ALL AGES WELCOME!

Also – for those that got this invite – this event is open to ALL WOMEN and WOMEN-IDENTIFIED – so please share this event with your lady friends. The more women that come, the sooner we change the world – for the better. THANK YOU!

nikkinigl.com

SAVE THE DATE for COSMOSIS!

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Jefferson Pinder; Funknik; found materials, speakers, and electrical components, 2013. Courtesy of the artist.

Curated by Steven L. Bridges, Cosmosis is an exhibition that investigates how the cosmos and the scientific fields of physics and cosmology continue to inspire artistic production, exerting great influence on our understanding of the universe—and our place therein.

Cosmosis Conversations | The Artist and Scientist: Understanding Our Universe and Place Within

Sarah and Joseph Belknap + Jacob Bean

Monday, April 27, 2015

4:15pm

Maclean 707

School of the Art Institute of Chicago

Opening Reception

Sunday, May 3, 2015

2:00-5:00pm

Hyde Park Art Center

http://www.cosmosisexhibition.com/https://www.facebook.com/events/1411216569194929/

Symposium Keynote Lecture by Sven Spieker: Wither the “Educational Turn?” An Apology for Didactic Art

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Soviet poster from the 1920’s. Translation: “There are those who are clever, and those who are idiots! One goes for the book, the other for a drink!”

Wednesday, April 29, 4:00 p.m.
MacLean Ballroom, 112 S. Michigan Ave.

Alongside “the contemporary” and “the archive,” few concepts command as much attention in today’s art world as education and its avatar, “the educational turn.” While the educational turn promises an art focused on participation and the social production of alternative forms of knowledge, it often displaces its own allegiance not only to its neo-liberal nemesis, “global education,” but also to related, and seemingly opposing phenomena, especially the various forms of didactic art that circulated in the 20th century. My talk will unpack these legacies and suggest ways in which a more complex, and more historically informed, understanding of the relationship between art and instruction, or art as instruction, may help us do art (history) differently.

Sven Spieker received a BA (with distinction) from the School of Slavonic and East European Studies at the University of London (1987) and a PhD from Oxford University (Merton College). After extended stays in Moscow and Los Angeles, Spieker accepted an appointment as assistant professor at Indiana University, Bloomington (1991). In 1995 Spieker took up a position at the Department of Germanic, Slavic and Semitic Studies and the Comparative Literature Program at the University of California, Santa Barbara. As an affiliate faculty member in the departments of Art and Art History, he teaches courses in 20th-century European as well as Russian and East-Central European art. In 2004 Spieker was a visiting professor at Constance University, Germany; and in 2015, at the Freie Universität, Berlin. His honors and awards have included fellowships at the Stanford Humanities Center (Stanford University); the Society for the Humanities at Cornell University; the Literaturzentrum in Berlin; and Monash University (Melbourne). Spieker has been a referee for the Stanford Humanities Center, the MIT Press, and the National Endowment for the Humanities. He is the founding editor of ARTMargins Print, a journal devoted to contemporary art practice in the global margins, and a member of the editorial collective that runs ARTMargins Online. Current projects include a Critical Anthology of Conceptual Art in Eastern Europe; a study of Didactic Art, as well as a book about Kazimir Malevich in the media age.

2015 MAAH/MAAHAP Graduate These Symposium

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Please join us in celebration of SAIC’s 2015 Master of Arts in Modern and Contemporary Art History, Theory, and Criticism and Dual Degree Master of Arts Thesis Symposium!

SCHEDULE FOR 2015 THESIS SYMPOSIUM

MacLean Ballroom
Wednesday, April 29

PANEL ONE

11:00-11:15: Margaret Carrigan, Liminal Life: The Biopolitics of Manifest Destiny

11:15-11:30: Julie Warchol, “Modeling with Light”: Clarence Kennedy’s Photographic Sculpture, 1924-1940

11:30-11:45: Matthew Coleman, Remotely Nearby: Representations of the Bonneville Salt Flats, Utah

11:45-12:00: questions

BREAK (12-12:15)

PANEL TWO

12:15-12:30: Lillian Elliott, Great Scott! Picturing the Past through Waverley; Or, ‘Tis Sixty Years Since

12:30-12:45: Lindsey Jancay, A Pictoral History of Gregg Shorthand: Considering the Image in Winifred Kenna Richmond’s The American Readings in Gregg Shorthand

12:45-1:00 Cassandra Carpenter, Designed Identity: The Critical Role of Dr. Hermann Püterschein

1:00-1:15: questions

LUNCH (1:15-2:45)

PANEL THREE

2:45-3:00 Denise Bennett, Rescuing the Senses: Haus-Rucker-Co.’s Environmental Transformers and Pneumatic Interventions, 1968–1972

3:00-3:15: Alison Reilly, The Following Is a True Story: Systems of Power in Kujtim Çashku’s Kolonel Bunker

3:15-3:30: Chisako Izuhara, Art in the Face of Nuclear Disaster: ChimPom and Kota Takeuchi

3:30-3:45: questions

BREAK (3:45-4:00)

KEYNOTE ADDRESS, 4:00-5:30

Wither the “Educational Turn?” An Apology for Didactic Art
Sven Spieker, University of California, Santa Barbara

MacLean Ballroom
Thursday, April 30

PANEL ONE

11:00-11:15: Kara Jefts, Dance of Death: Mavo Artists and the Posture of Play in Modern Tokyo

11:15-11:30: Elisabeth Smith, The Dynaton’s “New Vision”: Possibilities for Abstraction from the Bay Area, 1948-1951

11:30-11:45: Tie Jojima, Opening the 80s: The Porn Art Movement

11:45-12:00: questions

BREAK (12-12:15)

PANEL TWO

12:15-12:30: Lauren Fulton, Tactility of Sound: Experience and Synesthesia in the Work of Alison Knowles

12:30-12:45: Brian Leahy, Art Without Work: Tehching Hsieh’s No Art Piece and the Value of Laziness

12:45-1:00: Kyle Riley, Distribution as Discourse: Experimental Publishing in the Expanded Field

1:00-1:15: questions

LUNCH (1:15-2:45)

PANEL THREE

2:45-3:00 Jayne Mack, Holy Weaponized Perfume Batman!: Gendered Visual Vocabulary in Revisions of Batwoman

3:00-3:15: Olivia McManus, Locating Empowerment in Feminism and Pornography: Tristan Taormino’s Chemistry Vol. 1 and Petra Joy’s Female Fantasies

3:15-3:30: Annette LePique, How To Be Tumblr Famous or The Glitch, The Girl and Tumblr: Feminine Identity Construction Within the Digital Sphere

3:30-3:45 questions

BREAK (3:45-4:00)

PANEL FOUR

4:00-4:15: Aisha Muhammad, “In The Red”: An Examination of Jelili Atiku’s Performance Series

4:15-4:30: Elizabeth Metcalfe, Lost Product: Image and Withdrawal in the Films of Mathias Poledna

4:30-4:45: Yinzi Yi, The Construction of Virtual Identities in Cao Fei’s I. Mirror and RMB City—The Representation of a Regional Self in a Global Context

4:45-5:00: questions

Origins of Detachment

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IMPACT MFA Performance Festival
Origins of Detachment
Charles Rice
3:00:00 Performance
April 25, 2015 4:00pm – 7:00pm
280 S Columbus Dr Chicago, IL
Ceramics Gallery in the Ceramics Department

Investigate systems of orphanism. Installations of objects represent bodies of people who have passed away through materials. A generational orphaning of a specific group of people and the loss of information from traumatic events. The banal family photographs represent the past and are brought to the present in a presentation format for the gallery. Orphanism, the bereavement of parents, and the representation of family, queerness, trauma, abandonment, and memory. ‘Orphanism’ into objecthood, objects can loose their original purpose and become re-fashioned, re-imagined, and re-histocized.